Reviewed by Leofwine_draca 6 / 10 A waste of dramatic potentialĪ bit of a strange film, this one. As the guilt and intensity of the siblings increases we seem to be heading for disaster, especially when Natalie's husband Sinclair finds out. Their private intensity (& working class origins) contrast with the middle-class, inhibited, stuffy public scenes we see in the Richmond world into which Natalie has moved with her marriage. The relationship between Richard and Natalie proves dangerously obsessional. ![]() ![]() After some years of tension, Richard begins a sexual relationship with his sister Natalie, who is now married.
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